These next few days will be variations on a theme. We worked with reductive monotype methods in print class on Wednesday night and the following is a sampling of some of the images I created primarily with rubbings with a wooden spoon. Today, on the right, you see one side of the original illustration, cut out.
In the monotype process, I often make a rough illustration and place it beneath the see-through plate to either trace or use for reference in the image rendering. In this session, I made my reductive monotype and then cut out the silhouette to help me mask the section of the plate I did not want inked. Tomorrow's post will illustrate this method.
The pink ink was picked up from the plate, masked by the lace on the bottom section during a unique print rubbing.
The print behind it is a ghost of this remnant ink captured by sending the silhouette through an actual press. It is a version prior to the lace rubbing..... so kind of a ghost of a ghost print.
check back tomorrow for additional variations!
In the monotype process, I often make a rough illustration and place it beneath the see-through plate to either trace or use for reference in the image rendering. In this session, I made my reductive monotype and then cut out the silhouette to help me mask the section of the plate I did not want inked. Tomorrow's post will illustrate this method.
The pink ink was picked up from the plate, masked by the lace on the bottom section during a unique print rubbing.
The print behind it is a ghost of this remnant ink captured by sending the silhouette through an actual press. It is a version prior to the lace rubbing..... so kind of a ghost of a ghost print.
check back tomorrow for additional variations!
I'm loving looking through your closet, Liza! My favorite of the day: #34!
ReplyDeleteBecky Blades
Thanks Becky!!
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